We are currently in Edinburgh for the second of our annual, month-long, winter stays to continue to build our affinity with the city and, this time, spend some time with a new addition to our Edinburgh family. In the days before we left for Edinburgh and all the excitement there, I visited two museums – in Cheltenham and in Bristol.

I demonstrated a hint of senility recently as I bought the wrong trousers online. That error led me to a rare visit to Cheltenham via foot, bus and train. There, I could exchange the trousers face to face rather than go through another online and postal exchange which I would probably have messed up. Having completed the exchange, and given I was under no time pressure, I thought I would take a look at the The Wilson Museum which I only became aware of through a recent advert in our local culture listings.
The museum is in a smart modern building but was founded over 100 years ago around the collection of the Wilson Family including Antarctic explorer, Edward Wilson. The museum has undergone some recent restorations and re-organisations and has a pleasant café, educational play areas for children and a few good-sized rooms for permanent and temporary exhibitions of art and artifacts. Given how good and wholesome it was, I felt negligent in not having visited before.
The highlight was a room containing art and furniture from the Arts and Crafts movement. I’ve loved seeing exhibitions of work of this type in the past in London (and especially the William Morris Museum and Thomas Carlyle’s House which I had visited in August and September 2019). What I hadn’t fully appreciated until now was how important the Cotswolds were as a locus of the energy and talent that drove the movement. Many of the main protagonists such as Ernest Gimson, the Barnsley brothers and William and Eve Simmonds, lived in villages and homes we have walked though or past many times in recent years.

The exhibition was well laid out and had a good combination of very high-quality luxury pieces and very plain but beautifully designed furniture that still bore the hall marks of the movement but was for families with limited means. The latter showed how the movement aimed to bring great design and well-made things to the working population in the face of increasing industrialization and mass production.

Then, on the day before our trip to Edinburgh, Jane and I stepped up to manage Second Grandchild’s (SG’s) trip in and out of his nursery while his parents attended a funeral and worked in London. Seeing SG is always fun and it was interesting visiting his nursery for drop off and pick up and lovely to see him waving us off so happily.
In between, I walked into the centre of Bristol while Jane returned home to get a haircut. My primary aim was the 2026 iteration of the Wildlife Photographer of the Year exhibition which was on tour from its home in the Natural History Museum in London and on show at Bristol Museum & Art Gallery.
I love this competition and exhibition and have seen it many times in London. It was a treat to be able to weave this year’s viewing seamlessly into my local schedule of retired life while helping Second Son and his partner. Plus, there was the bonus of visiting another relatively local museum for the first time.
The Photographer of the Year exhibition didn’t disappoint. Unfortunately perhaps, my favourite photos were the very first I saw. These were aerial drone shots of the tundra by Alexey Kharitanov that contained incredible colour. The remainder of my wander around the exhibition was not exactly anticlimactic but many of the animal shots were, maybe inevitably, rather similar in style to those from previous years and, so, less memorable. One excellent thing though is that all the exhibition is available online and so there was no need to fiddle around with picture taking of the best.

The rest of the museum had interesting rooms, exhibiting a wide range of art since Medieval times, a large natural history collection, and an exhibition demonstrating the long history of ceramic production in Bristol before it was overtaken by The Potteries in Staffordshire. I saved some areas for another time and look forward to an opportunity to show SG the excellent collection of stuffed native birds and animals.


From the museum I wandered towards the city centre and had a ‘smashed’ burger from a street food vendor (Boigers) who do occasional pop-ups at our local village pub. It was another first for me and the burger was pretty tasty though, I suspect, nutrition-light.
My final trip element before heading back to pick up SG, was a brief visit to Bristol Cathedral. This wasn’t a first time visit but it has been over a decade since my last one which I snuck in while working briefly in Bristol.

It is, of course an impressive building. A helpful and patient gentleman gave me a summary of the history. He outlined how the building has almost continuously evolved over the last 1,000 years and especially since it was taken apart by Henry VIII as he closed the Augustine Monastery that had been at the cathedral’s heart. I had a very pleasant wander around and was impressed with the way the light and airy nave had been extended so sympathetically in the late 19th century to echo the Medieval parts of the building.


Jane and I had a last lovely little dose of SG while starting to receive more photos of the arrival of Third Grandchild in Edinburgh. What a full and exciting day it had been. More excitement to follow!



















































































