Four Exhibitions, Three Sons, Two Breakfasts And One Gig

For much of my working life, I was in London while the family were in Gloucestershire.  I usually only got to see Long-Suffering Wife (LSW) and our three sons during weekends when work often intruded and I wanted to rest.  Then the sons grew up and each of them spent time with me sleeping on the floor of my London flat while they took their first steps into the world of work.  The flat is very small so, although I got to know each so much better, the close proximity and sleeping arrangements were sometimes a stress.

Now, Eldest Son (ES), Middle Son (MS) and Youngest Son (YS) are all based in London and I have entered something of a golden period as a parent.  Now I am able to see them in short spells and in a relaxed way – over dinner, at breakfast, at a gig or in an exhibition. All I have to do is schedule the rendezvous around their diaries and enjoy the moment.  I plan to make the most of these arrangements while they last.

Last week, I was up in London again and was able to see all three sons.  The main reason for visiting London was to see a gig by Nuria Graham.  I first saw her in 2015 at Rough Trade and have now seen her twice since.  She is Spanish with some Irish heritage and writes some great tunes with intriguing English lyrics.  YS and I saw her at Jazz Servant Quarters which was just the type of venue I like: tiny (capacity for only 40 people) with a great sound system.  I loved the whole evening and plan to visit Jazz Servant Quarters again and also see Nuria once more next April.

Nuria Graham At Jazz Servant Quarters

Nuria Graham At Jazz Servant Quarters

Next morning, having stayed with YS overnight on their ailing inflatable bed, we went with his girlfriend for breakfast at the new Ozone Cafe in Hackney.  I love the treat of breakfast in London.  It often includes unusual and quality ingredients, it sets me up for the day of city exploration and usually obviates the need for lunch.

Ozone, Hackney

Ozone, Hackney

The previous day I had breakfasted at one of my favourite cafes – Ask For Janice in Smithfield – and had felt full most of the day.  At Ozone, I was a little more restrained since I was meeting an old friend for lunch at The Coach in Clerkenwell later.  Nonetheless, breakfast was ample and excellent and, of course, given its Ozone pedigree already tried elsewhere in the City, achingly trendy.

While in London I also went for dinner at Smokestak with MS, ES and his girlfriend.  Smokestak is only one or two steps up from fast food – we were in and out in an hour – but the food was great and the atmosphere was buzzy.  As MS said, despite the restaurant being famous for its meat dishes (and I loved the fried ox cheek), the vegetarian plates were perhaps the best.  I certainly ate well during my London visit.

Across the two days I was in London I went to four exhibitions.  On LSW’s recommendation from the previous weekend, I went to the Royal Academy to see the large Antony Gormley exhibition (now finished).  It was certainly impressive – not least the engineering that had gone into making several of the rooms dramatic, single-piece displays.

More Anthony Gormley At The Royal Academy

Iron Baby (1999), Matrix (2019) and Clearing VII (2019) By Antony Gormley At The Royal Academy

One room was filled with seemingly continuous loops of metal (8 kilometres worth) resembling a huge circular scribble.  Another was a room filled with silt and water.  Another had two huge cast iron baubles hanging from the roof.  And then another had Gormley’s trademark human forms, also cast in iron, set at various angles and amongst which the crowds could meander.

Host (2019), Piles (2018), Lost Horizon (2008) and Fruit (1993) By Antony Gormley At The Royal Academy

Host (2019), Piles (2018), Lost Horizon (2008) and Fruit (1993) By Antony Gormley At The Royal Academy

These were all certainly memorable but, at the time, I confess I enjoyed looking at his numerous workbooks more.  These showed how the ideas were generated rather than the final forms and it was more calming to look at these rather than negotiate the crowds in the rooms holding Gormley’s main works.

Some Of Antony Gormley's Workbooks

Some Of Antony Gormley’s Workbooks

Subject II By Anthony Gormley At The Royal Academy

Subject II By Antony Gormley At The Royal Academy

The Bridget Riley Exhibition at the Hayward Gallery was also impressive.  Photos of much of her work don’t work because they play with our way of seeing so much.  For example, Horizontal Vibration (1961) really does seem to vibrate before your eyes. ‘Current’ (1964) is like an optical illusion that feels destabilising if looked at for more than a few seconds.  These are clever and, I’m sure, were ground-breaking in their time but I love her brightly coloured works with stripes and diagonals more.

Though organised by topic rather than chronologically, the exhibition did a good job of tracing her thinking from her early drawings and the influence of Seurat on her work.  It covered her black and white visual exercises, her moves into curves and then colour and, finally, recent works that resembled Hirst’s dot paintings but which were clearly rooted in what she has done before.  The exhibition was an enlightening and cheering way to pass an afternoon.

Stripes And Diagonals By Bridget Riley At The Hayward Gallery

Currents (1961) And Stripes And Diagonals By Bridget Riley At The Hayward Gallery

I squeezed in a visit to the British Library to see the Buddhism exhibition there. Most of the exhibits were brilliantly, brightly coloured 19th century picture books showing the events in the life of the historical Buddah. There were also much older scrolls, wood panels and palm leaves inscribed with delicate texts and images. Once more, it was hard not to be impressed but, for me, the exhibition lacked a theme and was little more than the sum of its parts.

A Scroll Depicting Mahakala (A Protector Deity) And Tales From The Historical Buddha's Life In Folding Books

A 16th Century Tibetan Scroll Depicting Mahakala (A Protector Deity) And Tales From The Historical Buddha’s Life In 19th Century Folding Books

Nepalese Buddhist Palm Leaf Texts (17th and 12th Century)

Nepalese Buddhist Palm Leaf Texts (17th and 12th Century)

The fourth (and, in my view, best) exhibition I saw was that of a recent body of work by Anselm Keifer at White Cube Gallery in Bermondsey.  Anselm had been featured the day before I visited in the Guardian newspaper and the exhibition had been recommended by a friend.  I had not heard of Anselm previously and I went with no great expectations.

As soon as I entered the gallery I was blown away by the rhythm and enormity of the work in the central hall and then, as I moved into the adjoining rooms, by the scale of the paintings, their depth and the overall sense of brooding dystopia.  The paintings worked from a distance and right up close and I was fascinated even though I didn’t really understand what I was seeing.

Superstrings, Runes, The Norns, Gordian Knot By Anselm Keifer

Superstrings, Runes, The Norns, Gordian Knot By Anselm Keifer (Here Showing Just Part Of A 30 Vitrine Installation)

The White Cube is a tremendous, huge space; it needed to be to accommodate the work.  The exhibition is on until 26 January next year and I would like to go again (unlike the other exhibitions I saw, its free!).

The White Cube Gallery With Anselm Keifer Paintings

The White Cube Gallery With Anselm Keifer Paintings

Anselm Keifer At White Cube

The Gordian Knot By Anselm Keifer At White Cube (With A Real Axe And Real Blackened Branches)

Superstrings By Anselm Kiefer At White Cube Gallery

Superstrings By Anselm Kiefer At White Cube Gallery

I’m planning one more visit to London before Christmas.  I’m looking forward to another round of exhibitions, breakfasts and meeting up with one or more of our sons.

Squeezing In The Football

A couple of week-ends ago, Long-Suffering Wife (LSW) and I went up to London to stay with a couple who have been friends of ours for a few decades.  They live in Chiswick and the territory is familiar to us since we lived for several years in the 1990’s in nearby Kew.  The stay with them was a chance to catch up on our respective lives and those of our offspring, to observe recent neighbourhood changes, to share views of current issues and re-discover a couple of walks that we haven’t done for years.  We had a great time.

We went up to London on the Friday morning and parked outside our old house in Kew.  There was then time for me to visit Tate Britain and see the William Blake exhibition there, and for LSW to head into central London to peruse the shops there.

Jacob And The Angel By Sir Jacob Epstein

Jacob And The Angel By Sir Jacob Epstein At Tate Britain

It seems that William Blake was somewhat of a mystery during his life-time and remains so today.  I enjoyed the cleverly displayed books of illustrated poems and his apparent pre-occupation with the darker aspects of myth and religion.  I liked the combination of big works with grand gestures and delicate pieces with intricate engraving.  The narrative of his topsy-turvy life was interesting too but, for me, too much of his motivation was left unexplained – perhaps because there is no definitive view on what he was trying to achieve.

William Blake Engravings At Tate Britain

William Blake Engravings At Tate Britain: ‘Christian Drawn Out Of The Slough By Help’, ‘I Sought Pleasure And Found Pain’ and ‘House of Death’

As it happens, I also struggled with finding a real point to the popular and much publicised ‘Year 3’ exhibit by Steve McQueen in the main hall of the Tate.  This was a huge display of hundreds of traditional school class photos showing all Year 3 children in London schools.  I confess I didn’t ‘get it’ although I understand that many of the participating classes will now visit Tate Modern to see their photo and also, hopefully, kindle a love of art.

Steve McQueen's 'Year 3' Photographs At Tate Modern

Steve McQueen’s ‘Year 3’ Photographs At Tate Modern

On the Friday evening, our male football loving host and I eschewed the possibility of going to see his football team play an evening game.  Instead, we relaxed over excellent food and rather too much good wine and chatted.  However, I had forewarned the company that I was committed to seeing my team – Forest Green Rovers (FGR) – and two of our sons at Leyton (Orient) the following afternoon.

On the Saturday morning, following a satisfying carbohydrate and coffee breakfast, we went, fully fuelled up, to The Wallace Collection in Manchester Square.  I had visited this lovely, free museum earlier this year when seeing a Henry Moore exhibition there.  This time, I focused on the paintings on the first floor which I didn’t remember from my earlier visit.  What was especially interesting about this was that several were of Venice which LSW and I had visited only a week or so previously.  The paintings by Canaletto and his school of artists, brought home what we had felt during our Venice visit: that Venice has hardly changed in centuries.

Venice Cityscapes By Canaletto and School Of Canaletto In The Wallace Collection

I left the others at the Wallace Collection, with their plans for lunch and a visit to the Antony Gormley exhibition at the Royal Academy, and headed east to grimier terrain in Leyton.  It was great to meet up with Middle Son (MS), Youngest Son (YS) and one of his friends there.  The game itself was thrilling and FGR achieved a hard fought and rather fortunate 4-2 win.

Forest Green Players Celebrating Their Win At Leyton Orient

Forest Green Players Celebrating Their Win At Leyton Orient

We left the ground buzzing with football excitement and the sons started talking about seeing the late afternoon Premiership football game in a nearby pub somewhere.  Two of our party were sporting distinctive FGR shirts so prudence was forcing them to think of pubs away from Leyton where Orient fans wouldn’t be drowning their sorrows.  They settled on Bethnal Green a couple of tube stops away.  That was on my way back to the hospitality in Chiswick so I went with them.

I love football (you may have noticed!) and I wanted to both spend more time with YS and MS and see the Premiership game too.  So, almost without really consciously deciding anything I sleepwalked with them out of the tube, out of the station and into a grotty but TV-equipped pub to watch the game.

As the first half progressed I wondered about the second pint of (awful) beer and whether I could stay a bit longer without annoying LSW and our hosts back in Chiswick.  My decision making was forced by a text on our family group-chat from LSW who was wondering where I was.  While I was pondering a response MS, YS and his friend burst out laughing.  YS had already posted a picture of me, clearly in a pub and looking at the text on my phone.  I was rumbled!

I sloshed the second pint down and left the pub at half time.  I arrived back in Chiswick in time to have got away with squeezing in the football.  I settled back into our hosts’ wonderful hospitality, still excited by my team’s win and armed with news from MS and YS.

Next day was calmer.  We had a relaxed walk around Chiswick down by the Thames and topped up with alcohol at a local pub before indulging in Sunday lunch.  Good times indeed!

Chiswick Views