The Horsley Festival – subtitled ‘Horsley Community and Culture Unwrapped’ – was substantial triumph. The events that comprised the festival included concerts, art exhibitions, craft workshops, poetry recitals, storytelling, wildlife walks and dance workshops. These events were presented very professionally in a brochure and on a dedicated Horsley Unwrapped website. All of the events were very well attended – indeed, most were fully booked up – and all the events I went to were even better than I expected. It was an incredible achievement for a village of about 300 households.

My wife, Jane, was on the steering committee. This was chaired by the brainchild and prime organizer of the event – a friend of ours and a real hero who must have worked almost full time on the festival for weeks and who was incredibly busy during and, especially, between the events!

Jane was responsible for the central art exhibition which kicked off the festival. It was a significant effort to organize about 25 local artists so that information about their work, and the works themselves, were available on time, and that those works taken away promptly at the end. There were also trials and tribulations associated with ensuring that large display boards and plinths were procured, restored and erected safely and in time. The result, though, was much-praised and Jane was very happy with its success.

As well as the art exhibition and the associated opening ceremony, I attended a variety of other events. There were three music concerts during the nine days of the festival which framed the talents of three solo musicians and eight bands from the local area. Horsley has attracted a large number of artists and musicians over the years and the quality on show was terrific.

There was a lot of dancing – including some rather chaotic but very amusing line dancing which Jane enjoyed. However, the music I liked best was a set of haunting violin-based music by Diana Yukawa. We have listened to and enjoyed music by this international performer at home before. Even in a rather ordinary village hall, and in front of her very proud looking daughters, her performance was very moving and memorable.


The three wildlife walks with the Chair of the Gloucestershire Wildlife Trust, who lives just down the road from us, were booked up very quickly; too quickly for me to get a place. However, I did manage to get on a tour of the main Ruskin Mill College buildings and workshops in the valley I walk through frequently on my way into town.
The valley itself is very familiar to me but an introductory presentation on the way the restoration of the old mill and fisheries has taken place over the last 30 years provided fascinating, new information. We were given a little book describing the history and values of the Ruskin Mill Trust and the way it provides specialist education for teenagers and adults with complex needs.

The college values are inspired by those of Victorian architect and artist, John Ruskin. I have been interested in him, and William Blake who lived a little earlier but shared similar views, for quite a long time. Both of them were keen to revive traditional craftwork amid the mass production of the Industrial Revolution. Ruskin’s interest in that is reflected in some of the workshops that now enable students at Ruskin Mill College to learn rural crafts such as pottery, ironworking, trout farming and woodworking.
Our visits to the fish hatchery, woodworking centre and the forge (with its three forges showing Iron Age, Medieval an Edwardian methods) were enlightening. The demonstrations of blacksmithery and wood turning were eye-opening.

The tour was crowned with a visit to the college staff art exhibition and delicious, homemade pizzas made in the college pizza oven; very nice!

Another highlight for me during the festival was an ‘in conversation’ session with four local, young artists that was facilitated by a good friend of ours. The artists were a commercial film maker working in the advertising world (in a similar but bigger way to that of our Youngest Son), a photographer, a storyteller and a maker of naturally dyed textiles. The latter, Maisie Meredith, is someone I know a little and her work, including a beautiful booklet, is a brave, direct response to her personal issues with endometriosis.
The artists described their work, approach and way of working. That was very interesting and the dynamic as they asked each other questions and reinforced or developed each other’s points was refreshing.

The point when the storyteller, Hannah Moore, told a brief story to illustrate the way she used stories to facilitate restorative justice – the process of getting criminals to talk with their victims to reach some point of closure following a crime – was my best moment of the festival. It was matched a few minutes later when she told another story, impromptu but masterfully, in response to a question from the audience about the possibilities of using storytelling to resolve wider conflicts such as wars.
I should mention too that the All-Comers Darts event I organised in a small corner of the less serious end of the festival, went very well. We had he right number of participants for an event where no-one had much darts skill but where all improved over the course of 90 minutes. We all had a lot of laughs and fun. I almost won! That was a reflection of the low quality of dart throwing on display (the pub darts team was playing away from home that night) but encouragement enough to get me thinking of organising a village darts ladder.
We will see….. but whether I do or not, the Horsley Festival has left a legacy of fond memories, reminders of past cultural events – some of which were well before our time in the village – and a momentum that may result in future, similar events. It has also enabled new personal connections between the residents and I, for one, have strengthened or initiated new relationships. I know Jane has strengthened and made many more.

Since retirement I have embedded myself into this little Gloucestershire village and, over the last couple of years, for the first time, have felt as though I am a proper, full part of a local community. When we ‘downsize’ again and move out (timescales yet to be agreed), we will miss Horsley hugely.



























