New Experiences

I have been encouraged by the variety of things I have found to do out here in rural England having retired from job and metropolis.

Clearly there is far less variety than in London and we often have to drive rather than walk, as before, to get to it. But what I am finding is that the relative lack of choice is actually creating a refreshing expansion of my experience by forcing me to see and do things that I would probably not have considered pre-retirement.

There have been a few very enjoyable examples in the last couple of weeks.

Last week and this we ventured to a local, independent, single-screen cinema I have never visited before in Wotton. It turns out to offer a limited but attractive programme of films about a month old that are in the tier below the Hollywood blockbusters that dominate, rather tiresomely, the local multiplex.

Wooton Electric Picture House

Wotton Electric Picture House

In both visits I saw films (Maudie and The Big Sick) that I would not normally have chosen to go out for but which turned out to be very good.   More predictably, given that Maudie is a gritty biopic about a painter of naïve pictures in Nova Scotia and The Big Sick is a rom-com with a happy ending, Long Suffering Wife (LSW) also loved them, so they can come recommended. Had I still been working in London, I would have missed both.

Saturday evenings have long been the only ones that I usually spent fully out of London. Post-retirement I can afford to use them less sparingly. Last Saturday we went to a concert of classical Spanish guitar in our local village church. It wasn’t well publicised or particularly well attended. Pre-retirement, I wouldn’t have spotted that it was on and, even if I had, I doubt I’d have used a precious Saturday evening on it. But I was so glad I did – it was a remarkably high quality performance by a relatively local chap called Alan Brinley Shaw.

Alan Brinley Shaw

Alan Brinley Shaw at Horsley Church

I’m looking forward to more of the similar.

Music, Reading and Box Set Catch-up

I’m not a musician (at all!) but I have always loved listening contemporary music. For the last decade, I have particularly enjoyed watching live performances, usually in small, intimate venues in London.

I have also always enjoyed reading. During my working life, I have got on best with fiction that can be read in 5 to 10 minute doses just before sleep (do people really read books at a sitting as they claim in some book reviews?)

Additionally, in terms of cultural pursuits, I have always enjoyed going to the cinema and watching TV drama.

Now work is out of the way, I can spend more time on all of these cultural activities.

Reading is something that I have already stepped up. My new year’s resolution of reading more than 16 books in 2018 now seems achievable, despite a slow start to the year pre-retirement. I’m enjoying that pleasure of finishing a good book increasingly frequently. The only problem is that the habit of falling to sleep after a few pages, which used to be fine having gone to bed, is now creating what might charitably be called successive siestas.

Despite those soporific moments, I have recently finished A Whole Life by Robert Seethaler, The Essex Serpent by Sarah Perry and The Gustav Sonata by Rose Tremain; I would recommend them all. I can’t imagine when I last completed three books in 6 weeks (though admittedly the former was only 150 pages and felt a bit of a lovely cheat).

Having moved from living above Cinema 2 and 3 at the Barbican to a village near Stroud, the options for watching current and relatively high brow film have drastically reduced. LSW and I did see Dunkirk at the Stroud multiplex last week which was fine. However, the cinema there generally only manages kids films and blockbusters.

I’m told there are local independent cinemas I should visit and there are occasional live broadcasts of West End Opera and plays at the multiplex. I will try out all of that in due course but my immediate retreat from arty cinema has been to catch-up on TV drama series.

I particularly like the new wave of continental crime thrillers – will they still be available after Brexit? Most recently, I have been watching I Know Who You Are (Spanish), Black Widow (Dutch), Dicte (Danish) and The Passenger (French) and it was only my predilection for delayed gratification that prevented me ploughing through all of these at an unhealthy rate. With the facilities afforded by catch-up TV, there is an almost unlimited supply of gripping drama.

I miss the London music scene but I am starting to explore the local live music options. More on this next post….