Outings, Outings, Outings!

A few times since I retired, Jane and I have resolved to break up our routines (my retirement routine especially) with more frequent outings and trips.  This has resulted in short bursts of trips away from the house and we have had one of those brief bursts of outings recently.  A combination of summer weather and a little more determination this time, may mean we sustain the run of outings for a little longer than previously.

Hard To Tear Us Away From Our Garden This Summer?
Hard To Tear Us Away From Our Garden This Summer?

Jane kicked us off by organizing our rather impromptu trip to Basel and then we had a trip to Belfast and Derry.  Those were followed up by a visit to the Ashmolean Museum in Oxford which had originally been conceived as a birthday treat for me before the grander idea of a weekend in Basel intervened.  Then we had a day out in and around Bath and finally, before Jane headed off for a few days in Southern France with her book group, we pottered around more than a dozen open private gardens a nearby Cotswold village.  I love my daily and weekly retirement routine but it has been fun to give it a jolt.

The main reason for visiting the Ashmolean Museum was to celebrate my birthday by visiting the current exhibition of paintings by Anselm Kiefer.  I hadn’t heard of him until I saw an incredible exhibition of his work about five years ago and I have sought him out since. 

His subject matter and resultant paintings are often dark.  At the Ashmolean, we read about his early preoccupation with post-Second World War thinking in Germany and his ambition to expose some of the cultural and artistic taboos of that time.  One of the first pictures in the exhibition – and the only one for which photographs were prohibited – was an image of Hitler. 

'At Night The Heavy Earth Is Falling' By Anselm Kiefer
‘At Night The Heavy Earth Is Falling’ By Anselm Kiefer

Actually, the exhibition started with some typically monumental, deeply layered works that were very recent.  I confess that it was these of those on show that resonated most strongly with me.  Perhaps this was because they were so reminiscent of Kiefer’s works that I had seen in previous exhibitions and were in a style I was familiar with. 

Paintings By Anselm Kiefer Painted In The 1970s
Paintings By Anselm Kiefer Painted In The 1970s

The rest of the exhibition lived up to expectations though.  Kiefer is an interesting artist and a couple of his watercolours were as arresting as the larger, more obviously impactful oils.  I’ll continue to look out eagerly for his exhibitions.

We spent an hour of so wandering through the Ashmolean before a very nice lunch on the roof terrace in the sun.  It was good to come across a section of the museum dedicated to its founder, Elias Ashmole, because it reminded me of an excellent book by Phillipa Gregory (called ‘Virgin Earth’) about Elias’s friend and colleague, John Tradescant, that I read last year.

Section Of The Ashmolean Dedicated To Elias Ashmole
Section Of The Ashmolean Dedicated To Elias Ashmole

The museum’s rooms are full of a wide huge variety of exhibits from Egyptian mummies to cabinet after cabinet of ceramics. 

Apollo From The Temple of Zeus, Greece (About 460BC)
Ashmolean Museum: Apollo From The Temple of Zeus, Greece (About 460BC)

There was also a short more temporary exhibition of portraits of leaders and the Iranian elements of this show were well presented and explained.  Then lunch beckoned….

We took in another dose of art during a trip to Bath.  We visited a well-reviewed exhibition at The Holburne Museum of watercolours by J.M.W. Turner – another of my favourite artists.  I enjoyed this even more than the exhibition of Turner watercolours I had seen earlier this year in Edinburgh.  The room was a lot less crowded, Turner’s watercolours were more varied and, in some cases, more interestingly abstract. Plus, there were several lovely paintings by his friends of the time which showed how they influenced – indeed, competed with – each other.

'A Rough Sea Bearing Against Margate Jetty' By J.M.W. Turner
‘A Rough Sea Bearing Against Margate Jetty’ By J.M.W. Turner

We had a stroll through the adjacent Sydney Gardens.  Despite visiting Bath many times, it was the first time I had walked through these gardens and was surprised that they spanned both the Kennet and Avon Canal and the Great Western Railway with lovely bridges and impressive vistas.  In the dappled sunshine, we could somehow imagine the mix of Jane Austen romance, toll path horses and Victorian railway steam as we wandered about.

Views In Sydney Gardens, Bath
Views In Sydney Gardens. Bath

We had an excellent lunch at our favourite bakery in Upstairs at Landrace.  We are so lucky to be able to just drop into restaurants as good as this and take home what we still think is our favourite sourdough bread.

Then, to complete the day, Jane took us down some very windy and narrow lanes into deepest East Somerset to Caisson Gardens where she had booked a tour.  The sun was shining still and the gardens were a delight.  Visitor numbers were restricted and so the views of the flower beds and the backdrop of the house were largely unimpeded and aspect after aspect was beautiful.

Caisson Gardens
Caisson Gardens

There was some interesting history too in that the remains of Somerset Coal Canal runs through the gardens and adjoining fields.  This once had innovative, but ultimately flawed, Caisson Locks.  The remains of the waterway now supplement ponds full of tiny black frogs, a small lake and a pattern of rivulets running down from the house. 

More Views Of Caisson Gardens
More Views Of Caisson Gardens

The garden has only opened to the public recently but is well-established and is already a wonderful spectacle at this time of the year.

Lake At Caisson Gardens
Lake At Caisson Gardens

Less spectacular but enjoyable nonetheless, was an afternoon spent on the Box Open Gardens tour in a village near to our previous house.  It’s always interesting to peek into other peoples’ lives – or at least, their gardens.  We picked up a couple of ideas for our own garden and met a lot of people who we hadn’t seen for a long time.  We also were able to wander around the extensive, organic gardens of the local special needs school which you can only get a glimpse of from the road.  Again, the sun shone and we had a very pleasant afternoon.

One Of The Box Village Open Gardens
One Of The Box Village Open Gardens

We have plans for more outings.  We just need to keep breaking the routine.

Four Exhibitions, Three Sons, Two Breakfasts And One Gig

For much of my working life, I was in London while the family were in Gloucestershire.  I usually only got to see Long-Suffering Wife (LSW) and our three sons during weekends when work often intruded and I wanted to rest.  Then the sons grew up and each of them spent time with me sleeping on the floor of my London flat while they took their first steps into the world of work.  The flat is very small so, although I got to know each so much better, the close proximity and sleeping arrangements were sometimes a stress.

Now, Eldest Son (ES), Middle Son (MS) and Youngest Son (YS) are all based in London and I have entered something of a golden period as a parent.  Now I am able to see them in short spells and in a relaxed way – over dinner, at breakfast, at a gig or in an exhibition. All I have to do is schedule the rendezvous around their diaries and enjoy the moment.  I plan to make the most of these arrangements while they last.

Last week, I was up in London again and was able to see all three sons.  The main reason for visiting London was to see a gig by Nuria Graham.  I first saw her in 2015 at Rough Trade and have now seen her twice since.  She is Spanish with some Irish heritage and writes some great tunes with intriguing English lyrics.  YS and I saw her at Jazz Servant Quarters which was just the type of venue I like: tiny (capacity for only 40 people) with a great sound system.  I loved the whole evening and plan to visit Jazz Servant Quarters again and also see Nuria once more next April.

Nuria Graham At Jazz Servant Quarters

Nuria Graham At Jazz Servant Quarters

Next morning, having stayed with YS overnight on their ailing inflatable bed, we went with his girlfriend for breakfast at the new Ozone Cafe in Hackney.  I love the treat of breakfast in London.  It often includes unusual and quality ingredients, it sets me up for the day of city exploration and usually obviates the need for lunch.

Ozone, Hackney

Ozone, Hackney

The previous day I had breakfasted at one of my favourite cafes – Ask For Janice in Smithfield – and had felt full most of the day.  At Ozone, I was a little more restrained since I was meeting an old friend for lunch at The Coach in Clerkenwell later.  Nonetheless, breakfast was ample and excellent and, of course, given its Ozone pedigree already tried elsewhere in the City, achingly trendy.

While in London I also went for dinner at Smokestak with MS, ES and his girlfriend.  Smokestak is only one or two steps up from fast food – we were in and out in an hour – but the food was great and the atmosphere was buzzy.  As MS said, despite the restaurant being famous for its meat dishes (and I loved the fried ox cheek), the vegetarian plates were perhaps the best.  I certainly ate well during my London visit.

Across the two days I was in London I went to four exhibitions.  On LSW’s recommendation from the previous weekend, I went to the Royal Academy to see the large Antony Gormley exhibition (now finished).  It was certainly impressive – not least the engineering that had gone into making several of the rooms dramatic, single-piece displays.

More Anthony Gormley At The Royal Academy

Iron Baby (1999), Matrix (2019) and Clearing VII (2019) By Antony Gormley At The Royal Academy

One room was filled with seemingly continuous loops of metal (8 kilometres worth) resembling a huge circular scribble.  Another was a room filled with silt and water.  Another had two huge cast iron baubles hanging from the roof.  And then another had Gormley’s trademark human forms, also cast in iron, set at various angles and amongst which the crowds could meander.

Host (2019), Piles (2018), Lost Horizon (2008) and Fruit (1993) By Antony Gormley At The Royal Academy

Host (2019), Piles (2018), Lost Horizon (2008) and Fruit (1993) By Antony Gormley At The Royal Academy

These were all certainly memorable but, at the time, I confess I enjoyed looking at his numerous workbooks more.  These showed how the ideas were generated rather than the final forms and it was more calming to look at these rather than negotiate the crowds in the rooms holding Gormley’s main works.

Some Of Antony Gormley's Workbooks

Some Of Antony Gormley’s Workbooks

Subject II By Anthony Gormley At The Royal Academy

Subject II By Antony Gormley At The Royal Academy

The Bridget Riley Exhibition at the Hayward Gallery was also impressive.  Photos of much of her work don’t work because they play with our way of seeing so much.  For example, Horizontal Vibration (1961) really does seem to vibrate before your eyes. ‘Current’ (1964) is like an optical illusion that feels destabilising if looked at for more than a few seconds.  These are clever and, I’m sure, were ground-breaking in their time but I love her brightly coloured works with stripes and diagonals more.

Though organised by topic rather than chronologically, the exhibition did a good job of tracing her thinking from her early drawings and the influence of Seurat on her work.  It covered her black and white visual exercises, her moves into curves and then colour and, finally, recent works that resembled Hirst’s dot paintings but which were clearly rooted in what she has done before.  The exhibition was an enlightening and cheering way to pass an afternoon.

Stripes And Diagonals By Bridget Riley At The Hayward Gallery

Currents (1961) And Stripes And Diagonals By Bridget Riley At The Hayward Gallery

I squeezed in a visit to the British Library to see the Buddhism exhibition there. Most of the exhibits were brilliantly, brightly coloured 19th century picture books showing the events in the life of the historical Buddah. There were also much older scrolls, wood panels and palm leaves inscribed with delicate texts and images. Once more, it was hard not to be impressed but, for me, the exhibition lacked a theme and was little more than the sum of its parts.

A Scroll Depicting Mahakala (A Protector Deity) And Tales From The Historical Buddha's Life In Folding Books

A 16th Century Tibetan Scroll Depicting Mahakala (A Protector Deity) And Tales From The Historical Buddha’s Life In 19th Century Folding Books

Nepalese Buddhist Palm Leaf Texts (17th and 12th Century)

Nepalese Buddhist Palm Leaf Texts (17th and 12th Century)

The fourth (and, in my view, best) exhibition I saw was that of a recent body of work by Anselm Keifer at White Cube Gallery in Bermondsey.  Anselm had been featured the day before I visited in the Guardian newspaper and the exhibition had been recommended by a friend.  I had not heard of Anselm previously and I went with no great expectations.

As soon as I entered the gallery I was blown away by the rhythm and enormity of the work in the central hall and then, as I moved into the adjoining rooms, by the scale of the paintings, their depth and the overall sense of brooding dystopia.  The paintings worked from a distance and right up close and I was fascinated even though I didn’t really understand what I was seeing.

Superstrings, Runes, The Norns, Gordian Knot By Anselm Keifer

Superstrings, Runes, The Norns, Gordian Knot By Anselm Keifer (Here Showing Just Part Of A 30 Vitrine Installation)

The White Cube is a tremendous, huge space; it needed to be to accommodate the work.  The exhibition is on until 26 January next year and I would like to go again (unlike the other exhibitions I saw, its free!).

The White Cube Gallery With Anselm Keifer Paintings

The White Cube Gallery With Anselm Keifer Paintings

Anselm Keifer At White Cube

The Gordian Knot By Anselm Keifer At White Cube (With A Real Axe And Real Blackened Branches)

Superstrings By Anselm Kiefer At White Cube Gallery

Superstrings By Anselm Kiefer At White Cube Gallery

I’m planning one more visit to London before Christmas.  I’m looking forward to another round of exhibitions, breakfasts and meeting up with one or more of our sons.